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17 Nikolajeva, Maria. The magic code: The use of magical pattems in fantasy for children. Stockholm 1988. 18 Rowling,J. K. Harry Potter and the order of Fenix.

A displaced hedgehog is a figure - or rather an image - from Tove Jansson's Moomin books. This is how I can best describe myself. This blog is mostly about being displaced. Maria Nikolajeva, University of Cambridge, Faculty of Education, Faculty Member.

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För Morals, values and messages of current British fantasy novels for children . Russian-born Maria Nikolajeva embarked on children's literature and fantasy with  Maria. Nilson (2010) argues that working with fantasy novels, such as Harry Potter or Eragon has Maria Nikolajeva claims in her book Barnbokens. 15 Aug 2012 Maria Nikolajeva is an academic hailing from Russia, whose chief focus is on literary theory and the study of children's books.

The magic code : the use of magical patterns in fantasy for children / Maria Nikolajeva. Adres wydawniczy. [Stockholm] : Almqvist & Wiksell International, cop.

The essay discusses the ontological, structural, and epistemological differences between fairy tales and fantasy literature, two genres often treated together in critical works. Using contemporary theories of the fantastic, it is argued that unlike fairy tales, with their origin in archaic thought, fantasy literature is firmly anchored in twentieth-century science and philosophy, especially Search results for: 'fairy tale and fantasy maria nikolajeva' Search results for: 'fairy tale and fantasy maria nikolajeva' View as Grid List.

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Maria nikolajeva fantasy

Page. Page Previous; Page 2; Page 3; You're currently reading page 4; Page 5; Page 6; Page Next; Show per page. Sort By. Set The IRSCL is the longest established and leading international association of scholars promoting research into and the academic study of literature for children and young people.

Maria nikolajeva fantasy

Marvels & Tales 17 (1), Nikolajeva begins by defining her use of the term "fantasy" and differentiating works of fantasy from related works such as fairy tales and science fiction. After introducing her terminology, she describes five different categories of fantasy themes, "the magic law," "the magic space," "the magic time," "the magic passage," and "the magic Along with this, Maria Nikolajeva also defined fantasy as “a narrative combining the presence of the Primary and Secondary world, that is, our own world and at least one more magical or fantastic or imagined world” (Nikolajeva, 142). The essay discusses the ontological, structural, and epistemological differences between fairy tales and fantasy literature, two genres often treated together in critical works. Using contemporary theories of the fantastic, it is argued that unlike fairy tales, with their origin in archaic thought, fantasy literature is firmly anchored in twentieth-century science and philosophy, especially Search results for: 'fairy tale and fantasy maria nikolajeva' Search results for: 'fairy tale and fantasy maria nikolajeva' View as Grid List. Items 1-9 of 33. Page. Maria Nikolajeva was born on May 16, 1952 Moscow, Soviet Union (now Russia).
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Sort By. Set Ascending Maria Nikolajeva, University of Cambridge, Faculty of Education, Faculty Member.
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The magic code. the use of magical patterns in fantasy for children. by Maria Nikolajeva. 0 Ratings; 8 Want to read; 0 Currently reading; 0 Have read 

Frame Narrative. Ghost Story. The magic code: The use of magical patterns in fantasy for children.


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Nikolajeva, Maria. The Rhetoric of Character in Children's Literature (Lanham, MD: Scarecrow Press, 2002). Strong theoretical work which is particularly good on the differences between the portrayal of characters in children's literature and how they are shown in adult literature.

Marvels & Tales 17 (1), Along with this, Maria Nikolajeva also defined fantasy as “a narrative combining the presence of the Primary and Secondary world, that is, our own world and at least one more magical or fantastic or imagined world” (Nikolajeva, 142). Corpus ID: 192545798. The Magic Code: The Use of Magical Patterns in Fantasy for Children @inproceedings{Nikolajeva1988TheMC, title={The Magic Code: The Use of Magical Patterns in Fantasy for Children}, author={Maria Nikolajeva}, year={1988} } This may be partly because, as Maria Nikolajeva argues in "Fairy Tale and Fantasy", the fantasy genre emerged from fairy tales, and though fantasy translated fairy tales from archaic to modernist Introduction to the Theory of Children's Literature , Maria Nikolajeva, 1996, Children's literature, 39 pages. . The fantasy tradition in American literature from Irving to Le Guin, Brian Attebery, 1980, Literary Criticism, 212 pages. Traces the development of characteristically American fantasy, and looks at A displaced hedgehog is a figure - or rather an image - from Tove Jansson's Moomin books.